Fleda winced at what he knew; she made a wild gesture which seemed to whirl it out of the room. The mere allusion was like another embrace. "You know nothing—and you must go and wait! You mustn't break down at this point." Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!"!

"Well, at any rate, you don't call her names." Fleda came to the sofa in obedience to the impulse to sit down by her; then paused before her while Mrs. Gereth turned up a dead gray mask. A tired old woman sat there with empty hands in her lap. "I've heard nothing," said Fleda. "No answer came."

Mrs. Brigstock, in the doorway, stood looking from one of the occupants of the room to the other; then they saw her eyes attach themselves to a small object that had lain hitherto unnoticed on the carpet. This was the biscuit of which, on giving Owen his tea, Fleda had taken a perfunctory nibble: she had immediately laid it on the table, and that subsequently, in some precipitate movement, she should have brushed it off was doubtless a sign of the agitation that possessed her. For Mrs. Brigstock there was apparently more in it than met the eye. Owen at any rate picked it up, and Fleda felt as if he were removing the traces of some scene that the newspapers would have characterized as lively. Mrs. Brigstock clearly took in also the sprawling tea-things and the mark as of high water in the full faces of her young friends. These elements made the little place a vivid picture of intimacy. A minute was filled by Fleda's relief at finding her visitor not to be Mrs. Gereth, and a longer space by the ensuing sense of what was really more compromising in the actual apparition. It dimly occurred to her that the lady of Ricks had also written to Waterbath. Not only had Mrs. Brigstock never paid her a call, but Fleda would have been unable to figure her so employed. A year before the girl had spent a day under her roof, but never feeling that Mrs. Brigstock regarded this as constituting a bond. She had never stayed in any house but Poynton where the imagination of a bond, one way or the other, prevailed. After the first astonishment she dashed gayly at her guest, emphasizing her welcome and wondering how her whereabouts had become known at Waterbath. Had not Mrs. Brigstock quitted that residence for the very purpose of laying her hand on the associate of Mrs. Gereth's misconduct? The spirit in which this hand was to be laid our young lady was yet to ascertain; but she was a person who could think ten thoughts at once—a circumstance which, even putting her present plight at its worst, gave her a great advantage over a person who required easy conditions for dealing even with one. The very vibration of the air, however, told her that whatever Mrs. Brigstock's spirit might originally have been, it had been sharply affected by the sight of Owen. He was essentially a surprise: she had reckoned with everything that concerned him but his presence. With that, in awkward silence, she was reckoning now, as Fleda could see, while she effected with friendly aid an embarrassed transit to the sofa. Owen would be useless, would be deplorable: that aspect of the case Fleda had taken in as well. Another aspect was that he would admire her, adore her, exactly in proportion as she herself should rise gracefully superior. Fleda felt for the first time free to let herself "go," as Mrs. Gereth had said, and she was full of the sense that to "go" meant now to aim straight at the effect of moving Owen to rapture at her simplicity and tact. It was her impression that he had no positive dislike of Mona's mother; but she couldn't entertain that notion without a glimpse of the implication that he had a positive dislike of Mrs. Brigstock's daughter. Mona's mother declined tea, declined a better seat, declined a cushion, declined to remove her boa: Fleda guessed that she had not come on purpose to be dry, but that the voice of the invaded room had itself given her the hint. The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! "The strain of what?"